Played with the PSO since: 2022
How old were you when you started playing the bass? Was it your first instrument?
I learned to play bass when I was 14, but the piano was my first instrument.
Why the bass?
The bass was one of the more versatile ensemble options available in high school. After I took it up, the instrument’s vicious, low growl really “struck a chord.”
What do you like about playing with a symphony orchestra?
The orchestra presents an opportunity to perform some amazing repertoire, to support the community and to develop a cohesive sound with a great bass section.
How do you spend your time outside of the PSO?
Trail running with my dog, Kelvin; tennis; writing; traveling & backpacking. I also perform with the New Hampshire Philharmonic.
What is your favorite piece to play on your instrument?
Performed: Bernstein’s Symphonic Dances from West Side Story, Williams’s Imperial March, Shostakovich’s Fifth Symphony and Berlioz’s Symphonie Fantastique; Unperformed: Shostakovich’s Symphony No. 11 in g minor (“The Year 1905”) and Prokofiev’s Romeo and Juliet
Tell us about your musical education.
Studied bass with Nicholas D’Amato (Acadia University) and Grey Fulmer (NYC Ballet); started music with the Suzuki piano method; earned a Bachelor of Music from New York University; also studied piano through the Juilliard Evening Division, n/k/a Juilliard Extension.
Any recognition or accolades you want to share?
Acting principal with the Park Avenue Chamber Symphony during that orchestra’s tour in China; Section bass with the Park Avenue Chamber Symphony for performances at Carnegie Hall, Alice Tully Hall in Lincoln Center, Avery Fisher Hall in Lincoln Center and Jazz at Lincoln Center’s Rose Theater; Principal and Section bass with the New Jersey All-State Wind Ensemble and Orchestra, respectively; film musical co-written with Angel Garcia titled Better Ate Than Never was an honorable mention at the 2023 Frights! Camera! Action! Horror Screenplay Contest, an award winner at the 2024 Horror! Underground Film & Screenplay Festival, a finalist at the 2024 13horror.com Film & Screenplay Contest, an official selection at the 2024 Diverse Story Showcase, and a quarterfinalist in the 2025 Big Break Screenwriting Contest.
